L’accent Rouge by Wassily Kandinsky, 1938 36x21max100 Queen Elizabeth

Queen Elizabeth

with optional framing to fit standard interiors as well as bespoke formats

The interplay of light and calm neutrals gives the impression of music held in suspension: a composition you feel as much as you see

Rather than distant scenery

Berkeley Geography Department collection underscores its academic significance and the high regard in which it is held by scholars and collectors

L’accent Rouge by Wassily Kandinsky, 1938 36x21max100 Queen ElizabethLaccent Rouge (1938) by Wassily Kandinsky arrives from the artists late period with a pulse that is unmistakably his owncolor as emotion, geometry as music, and composition as pure rhythm. A pioneer of nonobjective painting, Kandinsky dispensed with recognizable subject matter to build a personal language of forms. In this 1938 work, vivid reds and blues play against a deep, velvety black field; circular discs, fine filaments, and elegantly elongated